-=OFFICIAL=- EDMW PHOTOGRAPHY CLUB - - - Part 12

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Silvialite

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Blue hour is very critical. Dun wait until the royal blue come out than you shoot. Another way to go abt it is to lower the exposure for the brighter frames when in post to match the darker frames.

I didn't wait. The bloody idiots just refused to budge from my frame even when I had the camera pointing at them straight on.
 

patcheon

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Just saw on LCSG facebook site that there is a Motor Heritage Day event in Tanjong Pagar Railway Station today. Till 5pm. But it just raining cats and dogs the moment I saw the event. :(
 
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Mach3.2

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BF8A6431_p_20130914 by naxchua, on Flickr


BF8A6445_p_20130914 by naxchua, on Flickr

2 pics taken yesterday.... please provide your advice on how I can improve... thank kew very much...

*sorry if the picture look too ugly...
First picture, I assume your subject is the table and chair?

A lot of distracting elements.(tree and the bush behind the chair)

Second picture, subject is the boat I assume, but dunno why you shot that.:s11:
 

naxchua

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First picture, I assume your subject is the table and chair?

A lot of distracting elements.(tree and the bush behind the chair)

Second picture, subject is the boat I assume, but dunno why you shot that.:s11:

yup... i was hoping someone sitting there reading a book... not sure why though... :s22:

2nd picture, also dunno why... suddenly hear the boat coming... so just shoot... :s22:

Dunno what you shooting.

hahaha... i also don't know what i shooting... :s22:

let's say if location is at clark quay, what will you shoot? :)
 

jkohlc2

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i see... so I should put the tall big building as my background...

must have sense of scale/layering/whatever, see fore/mid/background all got something, something to pull you in from the foreground all the way to the background
 

tecnica

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i see... so I should put the tall big building as my background...
no, there is no standard way of shooting.

the trick is to know the characteristic of your lens, look at the scene and try to work the composition.

as i almost always work with ultra-wide angle, i will use leading lines and search for foreground subject, then put them into the frame as part of the composition.
 
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