BradenHeat
Supremacy Member
- Joined
- Apr 4, 2005
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This is why I prefer to take my time to shoot with Master Pro vs just point-and-shoot (PaS) method. The two images were taken just 1 min apart. One using the Master Pro (manual adjustments made to the AWB, ISO and aperture while the other one just let the camera takes over control. The one on the left is closer to what I saw when the sun rays are slowly peaking at far end and as you can see, the clarity is not there. This is probably why alot of people do not like the PaS result. Hope this one will inspire you to take time to align your shot before you hit that button.
interesting findings,
| Setting | Value | Why |
|---|---|---|
| Mode | Hasselblad Master Pro | Bypasses Auto's forced HDR + AI processing |
| AWB (White Balance) | Lock at 3200–3800K | Preserves the warm golden tones your eyes actually see. Auto mode "corrects" this away. |
| ISO | 50–200 (lowest possible) | Sensor's sweet spot. Keeps micro-contrast and detail intact. Auto raises this unnecessarily. |
| Aperture | f/1.8 (fixed on N6) | Max light in. You control exposure via ISO + shutter instead. |
| Shutter Speed | 1/125–1/500s (adjust to light) | Fast enough to freeze the scene, slow enough to let sun rays render. Tripod or Flex Mode for anything below 1/60s. |
| Focus | Manual → tap on the horizon/sun ray area | Prevents autofocus from hunting in mixed-light scenes. |
| Output | RAW Max (if editing later) or JPG Max (if sharing directly) | RAW preserves full dynamic range for Lightroom/Snapseed recovery. |
| HDR | Off | This is the biggest difference. Forced HDR in Auto flattens the contrast between sun rays and sky. |
| Grid | 3×3 ON | Rule of thirds — align the horizon on the lower third, sun rays on an intersection. |
| Timer | 2–5 seconds (or use Flex Mode half-fold) | Eliminates shutter-tap vibration. Flex Mode = built-in tripod. |
really have to find tune my usual way of look and snap
and from
| Parameter | Left — Master Pro | Right — PaS (Auto) | What It Means |
|---|---|---|---|
| Timestamp | 6:45 AM | 6:46 AM | 1 minute apart — same light conditions |
| Focal Length | 5mm (23mm equiv.) | 5mm (23mm equiv.) | Same lens — main wide camera |
| Aperture | f/1.8 | f/1.8 | Fixed — identical on both |
| ISO | 640 | 2500 | Auto cranked ISO 4× higher — more noise, then AI smears it away (clarity killer) |
| Shutter Speed | 1/10s | 1/15s | Master Pro used a slightly longer exposure to compensate for lower ISO — smarter trade-off |
| EXP | 0 | 0 | No exposure compensation on either |
| Flash | No flash, compulsory | No flash, compulsory | Same |
| Resolution | 3072 × 4608 (7.4 MB) | 3072 × 4608 (7.2 MB) | Nearly identical file size |
| Watermark | None visible | Hasselblad watermark shown | Master Pro was shooting clean; the Hasselblad overlay is on the PaS shot |
